The tune EVENTIDE is given fresh treatment that maintains the beauty of the original hymn. Written in 12/8, the flowing piano accompaniment establishes the mood for the entrance of the choir. Independent
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A haunting and contemporary a cappella arrangement of a wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting. Great for use within a liturgical
Sometimes setting a very familiar text to a new tune causes the words to land on the ear with new meaning. Such is the case for this lyrical, flowing SATB setting by Michael Larkin. Four verses with a
Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a
Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral
This arrangement of the Spanish Toda la Tierra tune is set in a hymnlike form, yet the music never feels static as each statement is given a variety of textures throughout. From a simple
This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and
A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For
After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of
This setting of LAUDA ANIMA is festive and uplifting. An extended introduction is followed by four stanzas with short interludes between stanzas 2-3 and 3-4. Stanza 3 is set for SATB a cappella voices. The
For centuries, this plainchant Alleluia has been the assigned melody proper to the Easter Vigil to announce and acclaim the Gospel. In this edition, the solemn chant
This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each
This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass
This stirring setting of the tune HYFRYDOL may be performed with several instrumentation options: with organ alone, organ with brass quintet, or organ with full orchestra. The piece was written for the 2015
Fourths and fifths in the melody and harmonization give this anthem a timeless strength, yet there is still tenderness as the text, based loosely on a text by Horatius Bonar, speaks of God's gentle grace.
The harmonic language of this setting of Amazing Grace portrays a feeling of mystery and awe. Completely original music is matched with this most familiar text to create an experience that feels
Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are
This gorgeous SATB a cappella setting of the beloved Amazing Grace divides in all parts to create a lush, sonorous effect. It opens with a soprano solo and is set in G major with a brief foray into
This stirring setting of the well-known hymn by Charles Wesley will be meaningful to both choir and congregation. An independent organ accompaniment supports fine choral writing. The last verse soars with a
Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.
"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our
This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and